Cabinet on Trial: A Magazine of No Qualities?
Wednesday 30 January, 2013
6pm, $0
New York Public Library, Schwarzman Building
Fifth Avenue at 42 Street, South Court Auditorium
For more than a decade, Cabinet has published essays and artist projects that have ranged far and wide in topic and tone. To some, this breadth of interests suggests an ethically grounded culture of curiosity about the world. For others, this eclecticism is merely the symptom of an undisciplined dilettantism that fails to engage the crucial issues of today. It is time for a reckoning! In connection with the launch of Cabinet’s new anthology, those responsible for the publication will be called to the dock to answer for their activities. Inspired by Dada mock trials, this event brings together a formidable cast of litigators and judges in a format mixing serious debate with courtroom drama.
Since its launch in late 2000, the art and culture quarterly Cabinet has aimed to encourage a new culture of curiosity, one that forms the basis both for an ethical engagement with the world as it is and for imagining how it might be otherwise. The publication’s new anthology, Curiosity and Method: Ten Years of Cabinet Magazine, gathers some of the most interesting successes, and a few instructive failures, published in its first forty issues. Taking the form of an illustrated encyclopedia, the idiosyncratic entries include Addiction, Animal Architecture, Goalkeeping, Micronation, Otolith, Sandal, Worlding, and Zoosemiotics. The book also features seven new essays on keywords that have been important in framing the project of the magazine, including Collecting (Barbara Benedict), Attention (Lorraine Daston), The Everyday (Jeff Dolven), Pranks (Anthony Grafton), Listening (Daniel Rosenberg), Curiosity (Justin E. H. Smith), and Pleasure (Marina Warner).
The twelve to fourteen participants in this event include the following:
Claire Bishop is Associate Professor in the PhD Program in Art History at CUNY Graduate Center, New York. Her publications include Installation Art: A Critical History (Tate/Routledge, 2005) and Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012), and she is a regular contributor to Artforum.
D. Graham Burnett is an editor at Cabinet. He is the author of Masters of All They Surveyed (Chicago, 2000), A Trial by Jury (Knopf, 2001), Descartes and the Hyperbolic Quest (APS, 2005), Trying Leviathan (Princeton, 2007), and The Sounding of the Whale (Chicago, 2012). He recently co-curated The Slice: Cutting to See at the Architectural Association in London. With Jeff Dolven, he teaches “Critique and Its Discontents†at Princeton University, where he runs the graduate program in History of Science.
Natalie de Souza is an editor at Nature Methods since 2006. Before working at Nature Methods, she studied cell fate in the roundworm at Columbia University and protein movement within cells at Rockefeller University. She has written for nature publications and for Cabinet.
Nick Denton is the founder of Gawker Media, the parent company of Gawker.com, Deadspin, Lifehacker, Gizmodo, io9, Kotaku, Jalopnik, and Jezebel. Denton studied politics and economics at Oxford University.
Hal Foster is Townsend Martin Class of 1917 Professor of Art and Archaeology at Princeton University. An editor at October, recent books include Prosthetic Gods (MIT Press, 2004), concerning the relation between modernism and psychoanalysis; and Design and Crime (Verso, 2002), The Art-Architecture Complex (Verso, 2011) and The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha (Princeton University Press, 2011).
David Levine is an artist and Cabinet contributor. He makes work about acting, spectatorship, and the labor involved in both. His most recent work in New York was Habit, a durational performance at the Essex Street Market in September, 2012. He is currently a Fellow at the Radcliffe Institute for Advanced Study at Harvard, and the Director of Studio and Performing arts at the ECLA/Bard College in Berlin, where he is a Professor.
Sina Najafi is editor-in-chief of Cabinet magazine and the editorial director of Cabinet Books. Najafi has also curated or co-curated a number of exhibitions, including Philosophical Toys (Apex Art, 2005), The Museum of Projective Personality Testing (Manifesta 7, Trento, 2008), Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates (White Columns and Queens Museum of Art, 2005), and the traveling exhibition The Paper Sculpture Show (2003-2007). He has taught at Cooper Union, Yale, and RISD, and studied Comparative Literature at Princeton University, Columbia University, and New York University.
Sergio Muñoz Sarmiento is an artist and art lawyer. He teaches contemporary art and law at Fordham Law School and founded The Art Law Program. Recently worked on an appeal on behalf of Christoph Büchel in the artist's dispute with the Massachusetts Museum of Contemporary Art, and has also co-written amicus briefs for the Seventh Circuit Court of Appeals and the US Supreme Court regarding another high-profile artists' rights case, Chapman Kelley vs. Chicago Park District.
Lytle Shaw is a New York–based writer and poet whose books include Cable Factory 20 (Atelos, 1999), The Lobe (Roof Books, 2002), Principles of the Emeryville Shellmound Shark Books (1998), and Frank O’Hara: The Poetics of Coterie (University of Iowa Press, 2006). With Jimbo Blachly, Shaw oversees the Chadwick family archive, which has been exhibited widely and is represented by Winkleman Gallery in New York. He teaches in the English Department at New York University.
Ben Wizner is the Director of ACLU's Speech, Privacy & Technology Project, which is dedicated to protecting and expanding the freedoms of expression, association, and inquiry; expanding the right to privacy; and ensuring that civil liberties are enhanced rather than compromised by new advances in science and technology. Wizner is a graduate of Harvard College and New York University School of Law.
Since its launch in late 2000, the art and culture quarterly Cabinet has aimed to encourage a new culture of curiosity, one that forms the basis both for an ethical engagement with the world as it is and for imagining how it might be otherwise. The publication’s new anthology, Curiosity and Method: Ten Years of Cabinet Magazine, gathers some of the most interesting successes, and a few instructive failures, published in its first forty issues. Taking the form of an illustrated encyclopedia, the idiosyncratic entries include Addiction, Animal Architecture, Goalkeeping, Micronation, Otolith, Sandal, Worlding, and Zoosemiotics. The book also features seven new essays on keywords that have been important in framing the project of the magazine, including Collecting (Barbara Benedict), Attention (Lorraine Daston), The Everyday (Jeff Dolven), Pranks (Anthony Grafton), Listening (Daniel Rosenberg), Curiosity (Justin E. H. Smith), and Pleasure (Marina Warner).
The twelve to fourteen participants in this event include the following:
Claire Bishop is Associate Professor in the PhD Program in Art History at CUNY Graduate Center, New York. Her publications include Installation Art: A Critical History (Tate/Routledge, 2005) and Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012), and she is a regular contributor to Artforum.
D. Graham Burnett is an editor at Cabinet. He is the author of Masters of All They Surveyed (Chicago, 2000), A Trial by Jury (Knopf, 2001), Descartes and the Hyperbolic Quest (APS, 2005), Trying Leviathan (Princeton, 2007), and The Sounding of the Whale (Chicago, 2012). He recently co-curated The Slice: Cutting to See at the Architectural Association in London. With Jeff Dolven, he teaches “Critique and Its Discontents†at Princeton University, where he runs the graduate program in History of Science.
Natalie de Souza is an editor at Nature Methods since 2006. Before working at Nature Methods, she studied cell fate in the roundworm at Columbia University and protein movement within cells at Rockefeller University. She has written for nature publications and for Cabinet.
Nick Denton is the founder of Gawker Media, the parent company of Gawker.com, Deadspin, Lifehacker, Gizmodo, io9, Kotaku, Jalopnik, and Jezebel. Denton studied politics and economics at Oxford University.
Hal Foster is Townsend Martin Class of 1917 Professor of Art and Archaeology at Princeton University. An editor at October, recent books include Prosthetic Gods (MIT Press, 2004), concerning the relation between modernism and psychoanalysis; and Design and Crime (Verso, 2002), The Art-Architecture Complex (Verso, 2011) and The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha (Princeton University Press, 2011).
David Levine is an artist and Cabinet contributor. He makes work about acting, spectatorship, and the labor involved in both. His most recent work in New York was Habit, a durational performance at the Essex Street Market in September, 2012. He is currently a Fellow at the Radcliffe Institute for Advanced Study at Harvard, and the Director of Studio and Performing arts at the ECLA/Bard College in Berlin, where he is a Professor.
Sina Najafi is editor-in-chief of Cabinet magazine and the editorial director of Cabinet Books. Najafi has also curated or co-curated a number of exhibitions, including Philosophical Toys (Apex Art, 2005), The Museum of Projective Personality Testing (Manifesta 7, Trento, 2008), Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates (White Columns and Queens Museum of Art, 2005), and the traveling exhibition The Paper Sculpture Show (2003-2007). He has taught at Cooper Union, Yale, and RISD, and studied Comparative Literature at Princeton University, Columbia University, and New York University.
Sergio Muñoz Sarmiento is an artist and art lawyer. He teaches contemporary art and law at Fordham Law School and founded The Art Law Program. Recently worked on an appeal on behalf of Christoph Büchel in the artist's dispute with the Massachusetts Museum of Contemporary Art, and has also co-written amicus briefs for the Seventh Circuit Court of Appeals and the US Supreme Court regarding another high-profile artists' rights case, Chapman Kelley vs. Chicago Park District.
Lytle Shaw is a New York–based writer and poet whose books include Cable Factory 20 (Atelos, 1999), The Lobe (Roof Books, 2002), Principles of the Emeryville Shellmound Shark Books (1998), and Frank O’Hara: The Poetics of Coterie (University of Iowa Press, 2006). With Jimbo Blachly, Shaw oversees the Chadwick family archive, which has been exhibited widely and is represented by Winkleman Gallery in New York. He teaches in the English Department at New York University.
Ben Wizner is the Director of ACLU's Speech, Privacy & Technology Project, which is dedicated to protecting and expanding the freedoms of expression, association, and inquiry; expanding the right to privacy; and ensuring that civil liberties are enhanced rather than compromised by new advances in science and technology. Wizner is a graduate of Harvard College and New York University School of Law.