Chad Harbach, Keith Gessen, Emily Gould, Carla Blumenkranz, Eli S. Evans and Mel Flashman talk about the overlapping worlds of MFA and NYC, and the ways writers make (or fail to make) a living within them.

About the book: In a widely read essay entitled “MFA vs. NYC,” (n+1 Issue 10), bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What’s worse – having a day job, or having no health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? A must-read for aspiring writers, and for anyone interested in the present and future of American letters.

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