Countless forms of dance created and performed in public spaces are bundled under the umbrella of vernacular or street, which are recognized for their emphasis on improvisation, informal teaching methods, and the central role
 of communities of color in their production. Yet they are often figured primarily in opposition 
to traditionally valorized forms
 of dance such as ballet and modern dance.

With this project, Ali Rosa-Salas highlights the contributions of women who participate in movement-based styles that engage notions of subjectivity and the body in their work while utilizing the technical formalities of abstraction. These New York City-founded dance forms speak directly to the centrality of gender, racial, and community identity in art-making and how such inquiries propel local art forms into international cultural movements.

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